Develops a critique of the concept of the attention economy from the perspectives of labour, time, and power.

The aim of this article is to explore how the differences between Guy Debord and Gilles Deleuze delineate two different interpretations of the politics of found footage cinema. To do so, the notion of cinematic interval is crucial. While Debord's practice of détournement presupposes a Hegelian-inspired notion of interval that allows for self-awareness to be achieved, Deleuze puts forth a Bergsonian concept of interval that functions as a condition of possibility for creating an ‘image of movement in itself’. To explore (...) these two interpretations, this article uses Guy Debord's 1973 film The Society of the Spectacle as a case study. By focusing on this specific object, the two interpretations of the cinematic interval make it possible to compare two alternative ways of dealing with the representability – or unrepresentability – of capital, and hence to sketch two alternative views on the politics of found footage film practices. (shrink)

Emotion Review, Volume 14, Issue 2, Page 121-131, April 2022. The aim of this article is to explore how some aspects of Gilbert Simondon's philosophy of individuation may contribute to outlining a posthumanist theory of emotions. According to Simondon, the relation between affection and emotion is a key case study for examining the transindividual character of psychosocial individuation. Affection and emotion appear to him not as a binary opposition, but as an example of a transductive operation. The article suggests the (...) concept of ‘transindividual affect’ as a way of challenging some key dualisms. From this perspective, Simondon can contribute to a redefinition of the human from the non-dualistic and non-anthropocentric perspective that characterises critical posthumanism. (shrink)